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   General Editorial
 
 
   Guest Editorial
 
 
Articles
 
 
   'Plagiarizing’ for Bollywood - M.K.Raghavendra
 
 
   Not Speaking a Language That is Mine - Anjali Gera Roy
 
 
   How Does Shakespeare Become Sekh pir in Kannada - T.S.Satyanath
 
 
   Translation as DissemiNation: A Note from an Academic and Translator from Bengal - Swati Ganguly
 
 
   Vernacular Dressing and English Re-dressings: Translating Neel Darpan - Jharna Sanyal
 
 
   Post-Colonial Translation: Globalising Literature? - Purabi Panwar
 
 
Translating the Nation, Translating the Subaltern - Meena Pillai
 
 
    Translation, Transmutation, Transformation: A Short Reflection on the Indian Kala Tradition - Priyadarshi Patnaik
 
 
   Translation: A Cultural Slide Show - Hariharan
 
 
    The Hidden Rhythms and the Tensions of the Subtext: The Problems of Cultural Transference in Translation - Tutun Mukherjee
 
 
   Of Defining and Redefining an ‘Ideal’ Translator: Problems and Possibilities - Somdatta Mandal
 
 
Translation Reviews
 
 
   Burning Ground: Singed Souls, a review of theEnglish translation Fire area of Ilyas Ahmed Gaddi’s Urdu novel Fire Area - A.G.Khan
 
 
   Translation: Where Angels Fear to Tread, review of Rashmi Govind’s English translation, titled The Story of the Loom, of Abdul Bismillah’s Hindi novel Jhini jhini Bini Chadariya - A.G.Khan
 
 
   Fall, Sudhakar Marathe’s English translation of the Marathi Novel Pachola - Madhavi Apte
 
 

 

References

Carrier, David (2002). “Meditations on a Scroll or the Roots of Chinese Artistic Form”. Word & Image, Vol 18, Number 1.

Coomaraswamy, Ananda (1997). The Dance of Shiva. New Delhi : Munshiram Monoharlal.

Kramrisch, Stella (1928). The Vishnudharmottara. Kolkata: Calcutta University Press

Prajananda, Swami (1973) Historical Development of Indian Music. Calcutta :  Firma KLM.

 Seminar on “An Exploration of Rasa Aesthetic Bliss in the Context of Indian Art”, presented at "Philosophy of Indian Education and Value Education". Delhi , 7-9 February 2003.