|
References
Barthes, Roland (1977). Image,
Music, Text. Trans. Stephen Heath. London:
Fontana.
Barthes, Roland (1985). “The World
of Wrestling” in Mythologies.
London: Paladin.
Berger, John (1969). Art and
Revolution: Ernst Neizvestny and the Role of the Artist
in the USSR. Harmondsworth: Penguin.
Bordwell, David; Staiger, Janet &
Thompson, Kristin (1985) The Classical Hollywood
Cinema: Film Style and Mode of Production to
1960. London: Routledge and Kegan Paul.
Bordwell, David (1985).
Narration in the Fiction Film. London:
Methuen.
Bordwell, David (2000). Planet
Hongkong: Popular Cinema and the Art of
Entertainment. Cambridge: Harvard University
Press.
Byrski, M Christopher (1993).
“Sanskrit Drama as an Aggregate of Model Situations
in Baumer”, Rachel Van M. and Brandon, James R (ed)
Sanskrit Drama in Performance. New
Delhi: Motilal Banarsidas.
Dasgupta S.N (1954).
Fundamentals of Indian Art. New Delhi:
Bharatiya Vidya Bhavan.
Deutsch, Eliot (1993). “Reflections
on Some Aspects of the Theory of Rasa” in Rachel
Van M. Baumer and James R. Brandon (ed) Sanskrit
Drama in Performance. New Delhi: Motilal
Banarsidas.
Eagleton, Terry (1966). The
Illusions of Postmodernism. London: Blackwell
Publishers.
Gandhi, Shanthi (1993) “A Sanskrit
Play in Performance” in Baumer, Rachel Van M. and
Brandon James R (ed) Sanskrit Drama in
Performance. New Delhi: Motilal Banarasidas.
Gupta, Chidananda Das (1991).
The Painted Face. New Delhi: Roli
Books.
Hermequin, Alfred (1897). The
Art of Playwriting. Boston: Mifflin Co.
Hood, John W. (2000) The
Essential Mystery: Major Filmmakers of Indian Art
Cinema. New Delhi: Orient Longman.
Livingstone, Paisley (1996).
‘Characterization and Fictional Truth’ in
Bordwell, David & Carroll, Noel (ed) Post
Theory: Reconstructing Film Studies. Madison:
University of Wisconsin Press.
Mast, Gerald & Cohen, Marshall (ed)
(1985). Film Theory and Criticism: Introductory
Readings. New York: Oxford University Press.
Nandy, Ashis (1980). The
Popular Hindi Film: Ideology and First
Principles. India International Center,
Quarterly Special Issue. March
Prasad M. Madhava (1998).
Ideology of the Hindi Film: A Historical
Construction. New Delhi: Oxford University
Press, N16.
Scholes, Robert (1985). “Narration
and Narrativity in Film”, in Gerald Mast, Marshall
Cohen (ed) Film Theory and Criticism:
Introductory Readings. New York: Oxford
University Press.
Shekar, Indu (1977). Sanskrit
Drama: Its Origins and Decline. Delhi: Munshi
Ram Manoharlal.
Thomas, Rosie (1982). Indian
Cinema: Pleasures and Popularity.
Screen.
Vasudevan, Ravi (ed) (2000).
Making Meaning in Indian Cinema. New
Delhi: Oxford University Press.
|
